In 1978, inspired by this Peanuts cartoon, Nathaniel Hellerstein invented the Linus sequence1.

Peanuts
Episode from the Peanuts comic that inspired Nathaniel Hellerstein to define the Linus sequence.

The Linus sequence is a sequences of 1s and 2s in which each new entry is chosen to prevent the longest possible pattern from emerging at the end of the sequence. We start with the digit 1:

1

Now, if the second digit were also a 1 then we would have a repeating pattern. So we append a 2 instead:

12

If we choose 2 for the third entry, we'll have 22 at the end of the sequence, another emerging pattern. Prevent that by choosing 1:

121

Now what? Choosing 2 would give us the disastrously tidy 1212, so choose 1 again:

1211

But now the ones at the end are looking rather pleased with themselves, so choose 2 as the next digit:

12112

And so on. The rule is to avoid the longest possible doubled suffix: this is the longest possible repeated string of digits and the end of the sequence. For example, choosing 1 at this point would give the sequence 121121, in which the end of the sequence (indeed, the entire sequence) is a repeated string of the three digits 121. This is avoided if we would append a 2 to obtain the sequence 121122, which only ends with a repetition of a single digit (2). So, in this case, we choose to append the digit 2.

Admittedly, this isn't exactly the sequence that Linus was describing in the comic strip, but it opens up a world of its own with many surprising properties2, as these things tend to do.

It's also possible to compile a related sequence by making note of the length of each repetition that you avoided in the Linus sequence. That's called the Sally sequence3.

Assignment

We say that a string $$v$$ is a suffix of a given string $$s$$ if there exists a string $$u$$ such that $$s = uv$$, or in other words if the string $$s$$ ends with the string $$v$$. By definition, the empty string and the entire string $$s$$ are respectively the shortest and longest suffix of the string $$s$$.

We say that a suffix $$v$$ is a doubled suffix of a given string $$s$$ if there exists a string $$u$$ such that $$s = uvv$$.

In this assignment we only consider strings $$s$$ that are composed of the digits 1 and 2. Your task:

Example

>>> lds('1211')
1
>>> lds('1212')
2

>>> extend('1')
(1, 0, '12')
>>> extend('12')
(0, 1, '121')
>>> extend('121')
(1, 2, '1211')
>>> extend('1211')
(1, 0, '12112')
>>> extend('12112')
(3, 1, '121122')

>>> linus(0)
''
>>> linus(1)
'1'
>>> linus(6)
'121122'
>>> linus(40)
'1211221211212211211122121122111211221211'

>>> sally(0)
0
>>> sally(1)
1
>>> sally(6)
1
>>> sally(11)
6

Epilogue: AAAAAAAAAAUUGH

In 1947, Charles M. Schulz was working as an art instructor at a Minneapolis correspondence school when the accounting department hired a pretty redhead named Donna Mae Johnson. "I just thought she was wonderful," Schulz said. On his way in to work he would stop off on the second floor to draw cartoons on her desk calendar, and in February 1950 they began to date.

first kiss
The little red-haired girl as seen in It's Your First Kiss, Charlie Brown (1977).

The trouble was that Donna had a second boyfriend, a local boy named Alan Wold whom she had been dating since 1948. "I knew quite soon in the relationship that it was Al that I wanted," she said, yet "I really loved Sparky too at the same time." She asked her diary on May 8, 1950: "How will you ever decide?"

On June 14, after signing a deal with a newspaper syndicate to publish his comic strip, Peanuts, Schulz went to her and proposed marriage. All she could say was "I don't want to marry anybody. I just wish everybody would leave me alone."

He pressed her for three weeks, but she was firm. Schulz eventually moved to Colorado, married Joyce Halverson, and started a family, but he kept in touch with Donna for the rest of his life. One night he grew sentimental listening to Joni James sing about unrequited love:

That was the mindset that got me going on Charlie Brown sitting at the playground, eating his lunch, and he looks across the playground, and he sees the little red-haired girl, and from that, that whole series came, one thing after another.

"You never do get over your first love," he said at age 75. "The whole of you is rejected when a woman says, 'You are not worth it.'"

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